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Denis Azabagic – Competitions. . The Concept of Music and Competitions I started attending international competitions seriously when I was 18 years old. One of the most stressful situations that a music student (or any performer) encounters during their studies is the day, the hour or the moment of the performance. One of the most stressful situations that a music student (or any performer) encounters during their studies is the day, the hour or the moment of.

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On Competitions – DENIS AZABAGIC – Google Books

The explanation that I might give is that the jury members know this player can play better than they have just demonstrated and make their decision based on that fact. It is still empty. Now I try to welcome that feeling because I realized it is a part of what I am doing.

I asked them what it is they like about guitar, what it is that attracts them to this instrument more than any other. The only way to know how to handle a competi tion is to take part in one. I came to understand, however, that you could look at the situation from two perspectives. Universities usually get information about competitions and your teachers also will know about some of them.

I am very thankful for his competitins. I was lodged in places that varied from the Red Carpet Motel to Fairmont Hotel, and in private homes where sometimes I would have half the house to myself; other times, a family competitiosn give me their little daughter’s room full of toys and dolls.

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Self doubt is part of all of us and enclosed are ways to control it, not to eliminate it. There is a general opinion that competitions help you in building your career. Besides, I was too young to make those decisions by myself, my teacher did that.

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All of these symbols help articulate the sentence the same as indications for dynamics, competitikns, etc. Mel Bay PublicationsOct 7, – Music – 32 pages. I had a break at the end of October, then for the Thanksgiving Holiday and a long break for Christmas about a month.

This I would divide in two comoetitions You can hear some players in the next round; you don’t have to azabafic them in the first round. Denis azabagic the gfa competition winner is more than equal to the considerable demands this music presents. So, in order to get the most out of the try-out, treat it the same as the actual performance.

I just could not handle that crazy tempo, but I caught on later. Sometimes there are problems.

Denis Azabagic On Competitions, Dealing With Performance Stress

For many, it is very difficult to share this inner world, but music is one of the best ways to reflect what we have inside. We can learn all the indications that come in the score, notes, rhythm, tempo marks etc. Throughout history, there have been many azzbagic composers, and it is impossible to pick the best. Conclusion ciencias, tegnologia sociedad y valores. Guitarist denis azabagic evokes exotic sounds of four. All these reflections on our playing can be obtained elsewhere, at master-classes for example.

My answer to both of these questions is no. Please click button to get competition pieces book now. Don’t expect the conductor to know what you want if you do not tell him and repeat competotions several times. None of that could be under my influence. The only way to learn how to deal with this situation is to put ourselves in it as much as we can.


And not only that, but it keeps filling up! Do we know where the melody is, where it begins, where and how it ends?

I was aware of this when I submitted my program, and had made a decision to go with the program I was very comfortable with instead of making it more varied. He holds more than 20 awards from international competitions.

We can also learn a tremendous amount outside of schools and established institutions. I participated in that competition as a one of the six dompetitions chosen from a tape round.

The rest of the program was free, with the rule that several stylistic periods had to be represented in the program. On the other hand, a good experience helps us build up confidence. I came to the following conclusion: Jeff Eliot, famous guitar maker from Portland, offered to help me with my guitar, but he only had few hours after my concert to do so, because the next morning I had a plane to catch.

I use to take a long warm up sessions, up to an hour and half not playing all that time of course in order to go through all of my pieces, at least partially. I try to sleep about one hour after lunch. Well, we are all different. The program requirement for the final round was to playa recital. A bad pianist, however, competihions worse than a bad orchestra.